Embedded within Harbin’s wetlands, the Harbin Opera House was designed in response to the force and spirit of the northern city’s untamed wilderness and frigid climate. Appearing as if sculpted by wind and water, the building seamlessly blends in with nature and the topography—a transfusion of local identity, art, and culture. “We envision Harbin Opera House as a cultural center of the future – a tremendous performance venue, as well as a dramatic public space that embodies the integration of human, art and the city identity, while synergistically blending with the surrounding nature,” said Ma Yansong, founding principal, MAD Architects.
On the exterior, the architecture references the sinuous landscape of the surrounding area. The resulting curvilinear façade composed of smooth white aluminum panels becomes the poetry of edge and surface, softness and sharpness. The journey begins upon crossing the bridge onto Harbin Cultural Island, where the undulating architectural mass wraps a large public plaza, and during winter months, melts into the snowy winter environment.
The architectural procession choreographs a conceptual narrative, one that transforms visitors into performers. Upon entering the grand lobby, visitors will see large transparent glass walls spanning the grand lobby, visually connecting the curvilinear interior with the swooping façade and exterior plaza. Soaring above, a crystalline glass curtain wall soars over the grand lobby space with the support of a lightweight diagrid structure. Comprised of glass pyramids, the surface alternates between smooth and faceted, referencing the billowing snow and ice of the frigid climate. Visitors are greeted with the simple opulence of natural light and material sensation—all before taking their seat.
Presenting a warm and inviting element, the grand theater is clad in rich wood, emulating a wooden block that has been gently eroded away. Sculpted from Manchurian Ash, the wooden walls gently wrap around the main stage and theater seating. From the proscenium to the mezzanine balcony the grand theater’s use of simple materials and spatial configuration provides world-class acoustics. The grand theater is illuminated in part by a subtle skylight that connects the audience to the exterior and the passing of time.
Within the second, smaller theater, the interior is connected seamlessly to the exterior by the large, panoramic window behind the performance stage. This wall of sound-proof glass provides a naturally scenic backdrop for performances and activates the stage as an extension of the outdoor environment, inspiring production opportunities.
Harbin Opera House emphasizes public interaction and participation with the building. Both ticketholders and the general public alike can explore the façade’s carved paths and ascend the building as if traversing local topography. At the apex, visitors discover an open, exterior performance space that serves as an observation platform for visitors to survey the panoramic views of Harbin’s metropolitan skyline and the surrounding wetlands below. Upon descent, visitors return to the expansive public plaza, and are invited to explore the grand lobby space.
Surpassing the complex opera house typology, MAD articulates an architecture inspired by nature and saturated in local identity, culture and art. As the Harbin Opera House deepens the emotional connection of the public with the environment, the architecture is consequently theatrical in both its performance of narrative spaces and its context within the landscape.
|Directors : Ma Yansong, Dang Qun, Yosuke Hayano|
|Advisor : Bao Pao|
|Design Team : Jordan Kanter, Daniel Gillen, Bas van Wylick, Liu Huiying, Fu Changrui, Zhao Wei, Kin Li, Zheng Fang, Julian Sattler, Jackob Beer, J Travis Russett, Sohith Perera, Colby Thomas Suter, Yu Kui, Philippe Brysse, Huang Wei, Flora Lee, Wang Wei, Xie Yibang, Lyo Hengliu, Alexander Cornelius, Alex Gornelius, Mao Beihong, Gianantonio Bongiorno, Jei Kim, Chen Yuanyu, Yu Haochen, Qin Lichao, Pil-Sun Ham, Mingyu Seol, Lin Guomin, Zhang Haixia, Li Guangchong, Wilson Wu, Ma Ning, Davide Signorato, Nick Tran, Xiang Ling, Gustavo Alfred Van Staveren, Yang Jie|
|Architect : MAD Architects|
|Client : Harbin Songbei Investment and Development Group Co., Ltd.|
|Associate Engineers : Beijing Institute of Architectural Design (BIAD) Institute No.3|
|Façade/cladding Consultants : Inhabit Group, China Jingye Engineering Co., Ltd.|
|BIM : Gehry Technologies Co., Ltd.|
|Landscape Architect : Beijing Turenscape Institute|
|Interior Design : MAD Architects, Shenzhen Keyuan Construction Group Co., Ltd.|
|Interior Decoration Consultants : Harbin Weimeiyuan Decoration Design Co., Ltd.|
|Acoustics Consultants : Acoustic and Theater Special Design & Research Studio of East China Architectural Design & Research Institute (ECADI)|
|Lighting Design : China International Engineering Design & Consult Co., Ltd.|
|Stage Lighting and Acoustics Design : Acoustic and Theater Special Design & Research Studio of East China Architectural Design & Research Institute (ECADI)|
|Stage Mechanical Engineers : Beijing New Era Architectural Design Ltd.|
|Signage Design : Shenzhen Freesigns Signage Co., Ltd.|
|Location : Harbin, China|
|Type : Theater, Cultural Center|
|Time : 2010-2015|
|Site Area : 1,800,000sqm|
|Building Area : 79,000sqm|
|Building Height : 56m|
|Building Area : 41,000sqm|
|Building Height : 47.6m|